From fairest creatures we desire increase,
That thereby beauty’s rose might never die,
But as the riper should by time decrease,
His tender heir might bear his memory:
But thou, contracted to thine own bright eyes,
Feed’st thy light’s flame with self-substantial fuel.
Making a famine where abundance lies,
Thyself thy foe, to thy sweet self too cruel.
Thou that are now the world’s fresh ornament
And only herald to the gaudy spring,
Within thine own bud buriest thy content
And, tender churl, makest waste in niggarding.
     Pity the world, or else this glutton be,
     To eat the world’s due, by the grave and thee.

This poem is in the public domain.

When forty winters shall besiege thy brow,
And dig deep trenches in thy beauty’s field,
Thy youth’s proud livery, so gazed on now,
Will be a tatter’d weed, of small worth held:
Then being ask’d where all thy beauty lies,
Where all the treasure of thy lusty days,
To say, within thine own deep-sunken eyes,
Were an all-eating shame and thriftless praise.
How much more praise deserved thy beauty’s use,
If thou couldst answer ‘This fair child of mine
Shall sum my count and make my old excuse,’
Proving his beauty by succession thine!
    This were to be new made when thou are old,
    And see thy blood warm when thou feel’s it cold.

This poem is in the public domain.

Look in thy glass, and tell the faces thou viewest
Now is the time that face should form another;
Whose fresh repair if now thou not renewest,
Thou dost beguile the world, unbless some mother.
For where is she so fair whose unear’d womb
Disdains the tillage of thy husbandry?
Or who is he so fond will be the tomb
Of his self-love, to stop posterity?
Thou art thy mother’s glass, and she in thee
Calls back the lovely April of her prime:
So thou through windows of thing age shalt see
Despite of wrinkles this thy golden time.
    But if thou live, remember’d not to be,
    Die single, and thing image dies with thee.

This poem is in the public domain.

Unthrifty loveliness, why dost thou spend
Upon thyself thy beauty’s legacy?
Nature’s bequest gives nothing but doth lend,
And being frank she lends to those are free.
Then, beauteous niggard, why dost thou abuse
The bounteous largess given thee to give?
Profitless usurer, why dost thou use
So great a sum of sums, yet canst not live?
For having traffic with thyself alone,
Thou of thyself thy sweet self dost deceive.
Then how, when nature calls thee to be gone,
What acceptable audit canst thou leave?
    Thy unus'd beauty must be tomb’d with thee,
    Which, used, lives th’ executor to be.

This poem is in the public domain.

Those hours, that with gentle work did frame
The lovely gaze where every eye doth dwell,
Will play the tyrants to the very same
And that unfair which fairly doth excel;
For never-resting time leads summer on
To hideous winter and confounds him there;
Sap check’d with frost and lusty leaves quite gone,
Beauty o’ersnow’d and bareness every where;
Then, were not summer’s distillation left
A liquid prisoner pent in walls of glass,
Beauty’s effect with beauty were bereft,
Not it nor no remembrance what it was:
    But flowers distill’ed, though they with winter meet,
    Leese but their show; their substance still lives sweet.

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Then let not Winter's ragged hand deface,
In thee thy summer, ere thou be distill'd:
Make sweet some vial; treasure thou some place
With beauty's treasure ere it be self-kill'd.
That use is not forbidden usury,
Which happies those that pay the willing loan;
That's for thyself to breed another thee,
Or ten times happier, be it ten for one;
Ten times thyself were happier than thou art,
If ten of thine ten times refigur'd thee:
Then what could death do if thou shouldst depart,
Leaving thee living in posterity?
    Be not self-will'd, for thou art much too fair
    To be Death's conquest, and make worms thine heir.

This poem is in the public domain.

Lo! In the orient when the gracious light
Lifts up his burning head, each under eye
Doth homage to his new-appearing sight,
Serving with looks his sacred majesty;
And having climb’d the steep-up heavenly hill,
Resembling strong youth in his middle age,
Yet mortal looks adore his beauty still,
Attending on his golden pilgrimage;
But when from highmost pitch, with weary car,
Like feeble age, he reeleth from the day,
The eyes, ‘fore duteous, now converted are
From his low tract and look another way:
    So thou, thyself out-going in thy noon,
    Unlook’d on diest, unless thou get a son.

This poem is in the public domain.

Music to hear, why hear’st thou music sadly?
Sweets with sweets war not, joy delights in joy.
Why lovest thou that which thou receives not gladly,
Or else receives with pleasure thine annoy?
If the true concord of well-tuned sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering,
Resembling sire and child and happy mother
Who all in one, one pleasing note do sing:
    Whose speechless song, being many, seeming one,
    Sings this to thee: ‘thou single wilt prove none.’

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Is it for fear to wet a widow’s eye
That thou consumes thyself in single life?
Ah! if thou issueless shall hap to die,
The world will wail thee, like a makeless wife;
The world will be thy widow and still weep
That thou no form of thee hast left behind,
When every private widow well may keep
By children’s eyes her husband’s shape in mind.
Look, what an unthrift in the world doth spend
Shifts but his place, for still the world enjoys it;
But beauty’s waste hath in the world an end,
And, kept unused, the user so destroys it.
    No love toward others in that bosom sits
    That on himself such murderous shame commits.

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For shame! Deny that thou bear’st love to any,
Who for thyself art so unprovident.
Grant, if thou wilt, thou art beloved to many,
But that thou none lovest is most evident;
For thou art so possess’d with murderous hate
That ’gainst thyself thou stick’st not to conspire,
Seeking that beauteous roof to ruinate
Which to repair should be thy chief desire
O, change thy thought, that I may change my mind!
Shall hate be fairer lodged than gentle love?
Be, as thy presence is, gracious and kind,
Or to thyself at least kind-hearted prove:
    Make thee another self, for love of me,
    That beauty still may live in thine or thee.

This poem is in the public domain.

As fast as thou shalt wane, so fast thou growest
In one of thine, from that which thou departest;
And that fresh blood which youngly thou bestowest
Thou mayst call thine when thou from youth convertest.
Herein lives wisdom, beauty and increase;
Without this, folly, age and cold decay:
If all were minded so, the times should cease
And threescore year would make the world away.
Let those whom Nature hath not made for store,
Harsh, featureless and rude, barrenly perish:
Look, whom she best endow’d she gave the more;
Which bounteous gift thou shouldst in bounty cherish:
    She carved thee for her seal, and meant thereby
    Thou shouldst print more, not let that copy die.

This poem is in the public domain.

When I do count the clock that tells the time,
And see the brave day sunk in hideous night;
When I behold the violet past prime,
And sable curls all silver’d o’er with white;
When lofty trees I see barren of leaves
Which erst from heat did canopy the herd,
And summer’s green all girded up in sheaves
Borne on the bier with white and bristly beard,
Then of thy beauty do I question make,
That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake
And die as fast as they see others growl
    And nothing ’gainst Time’s scythe can make defence
    Save breed, to brave him when he takes thee hence.

This poem is in the public domain.

O, that you were yourself! But, love, you are
No longer yours than you yourself here live:
Against this coming end you should prepare,
And your sweet semblance to some other give.
So should that beauty which you hold in lease
Find no determination; then you were
Yourself again after yourself’s decrease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold
Against the stormy gusts of winter’s day
And barren rage of death’s eternal cold?
    O, none but unthrifts! Dear m love, you know
    You had a father: let your son say so.

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Not from the stars do I my judgment pluck,
And yet methinks I have astronomy;
But not to tell of good or evil luck,
Of plagues, of dearths, or seasons' quality;
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain, and wind,
Or say with princes if it shall go well
By oft predict that I in heaven find.
But from thine eyes my knowledge I derive,
And, constant stars, in them I read such art
As truth and beauty shall together thrive
If from thyself to store thou wouldst convert:
    Or else of thee this I prognosticate,
    Thy end is truth's and beauty's doom and date.

This poem is in the public domain.

When I consider every thing that grows
Holds in perfection but a little moment.
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment.
When I perceive that men as plants increase,
Cheerèd and checked even by the self-same sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay,
Sets you most rich in youth before my sight,
Where wasteful Time debateth with decay
To change your day of youth to sullied night;
    And all in war with Time for love of you,
    As he takes from you, I engraft you new.

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But wherefore do not you a mightier way
Make war upon this bloody tyrant, Time?
And fortify yourself in your decay
With means more blessed than my barren rhyme?
Now stand you on the top of happy hours,
And many maiden gardens yet unset
With virtuous wish would bear your living flowers,
Much liker than your painted counterfeit:
So should the lines of life that life repair,
Which this, Time’s pencil, or my pupil pen,
Neither in inward worth nor outward fair,
Can make you live yourself in eyes of men.
    To give away yourself keeps yourself still,
    And you must live, drawn by your own sweet skill.

This poem is in the public domain.

Who will believe my verse in time to come,
If it were fill’d with your most high deserts?
Though yet, heaven knows, it is but as a tomb
Which hides your life and shows not half your parts.
If I could write the beauty of your eyes
And in fresh numbers number all your graces
The age to come would say ‘This poet lies;
Such heavenly touches ne’er touch’d earthly faces.’
So should my papers yellow’d with their age
Be scorn’d like old men of less truth than tongue,
And your true rights be term’d a poet’s rage
And stretched metre of an antique song:
    But were some child of yours alive that time,
    You should live twice; in it and in my rhyme.

This poem is in the public domain.

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wand'rest in his shade,
When in eternal lines to Time thou grow'st.
    So long as men can breathe, or eyes can see,
    So long lives this, and this gives life to thee.

This poem is in the public domain.

Devouring Time, blunt thou the lion’s paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger’s jaws,
And burn the long-lived phœnix in her blood;
Make glad and sorry seasons as thou fleets,
And do whate’er thou wilt, swift-footed Time,
To the wide world and all her fading sweets;
But I forbid thee one most heinous crime:
O, carve not with thy hours my love’s fair brow,
Nor draw no lines there with thine antique pen;
Him in thy course untainted do allow
For beauty’s pattern to succeeding men.
    Yet, do thy worst, old Time: despite thy wrong,
    My love shall in my verse ever live young.

This poem is in the public domain.

A woman’s face with nature’s own hand painted,
Hast thou, the master mistress of my passion;
A woman’s gentle heart, but not acquainted
With shifting change, as is false women’s fashion:
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue all ‘hues’ in his controlling,
Which steals men’s eyes and women’s souls amazeth.
And for a woman wert thou first created;
Till Nature, as she wrought thee, fell a-doting,
And by addition me of thee defeated,
By adding one thing to my purpose nothing.
    But since she prick’d thee out for women’s pleasure,
    Mine be thy love and thy love’s use their treasure.

This poem is in the public domain.

So is it not with me as with that Muse
Stirr’d by a painted beauty to his verse,
Who heaven itself for ornament doth use
And every fair with his fair doth rehearse;
Making a couplement of proud compare,
With sun and moon, with earth and sea’s rich gems,
With April’s first-born flowers, and all things rare
That heaven’s air in this huge rondure hems.
O, let me, true in love, but truly write,
And then believe me, my love is as fair
As any mother’s child, though not so bright
As those golden candles fix’d in heaven’s air:
    Let them say more that like of hearsay well;
    I will not praise that purpose not to sell.

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My glass shall not persuade me I am old,
So long as youth and thou are of one date;
But when in thee time’s furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me:
How can I then be elder than thou art?
O, therefore, love, be of thyself so wary
As I, not for myself, but for thee will;
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
    Presume not on thy heart when mine is slain;
    Thou gavest me thine, not to give back again.

This poem is in the public domain.

As an unperfect actor on the stage
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart,
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own loves’s strength seem to decay,
O’ercharged with burden of mine one love’s might.
O, let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love and look for recompense
More than that tongue that more hath more express’d.
    O, learn to read what silent love hath writ:
    To hear with eyes belongs to love’s fine writ.

This poem is in the public domain.

Mine eye hath play’d the painter and hath stell’d
Thy beauty’s form in table of my heart;
My body is the frame wherein ’tis held,
And perspective it is best painter’s art.
For through the painter must you see his skill,
To find where your true image pictured lies;
Which in my bosom’s shop is hanging still,
That hath his windows glazed with thine eyes.
Now see what good turns eyes for eyes have done:
Mine eyes have drawn thy shape, and thing for me
Are windows to my breast where-through the sun
Delights to peep, to gaze therein on thee;
    Yet eyes this cunning want to grace their art;
    They draw but what they see, know not the heart.

This poem is in the public domain.

Let those who are in favour with their stars
Of public honour and proud titles boast
Whilst I, whom fortune of such triumph bars,
Unlook’d for joy in that I honour most.
Great princes’ favourites their fair leaves spread
But as the marigold at the sun’s eye,
And in themselves their pride lies buried,
For at a frown they in their glory die.
The painful warrior famoused for fight,
After a thousand victories once foil’d,
Is from the book of honour razed quite,
And all therest forgot for which he toil’d;
    Then happy I, that love and am beloved
    Where I may not remove nor be removed.

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Lord of my love, to whom in vassalage
Thy merit hath my duty strongly knot,
To thee I send this written embassage,
To witness duty, not to show my wit:
Duty so great, which wit so poor as mine
May make seem bare, in wanting words to show it,
But that I hope some good conceit of thine
In thy soul’s thought, all naked, will bestow it;
Till whatsoever star that guides my moving
Points on me graciously with fair aspect
And puts apparel on my tatter’d loving,
To show me worthy of thy sweet respect:
    Then may I dare to boast how I do love thee;
    Till then not show my head where thou mayst prove me.

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Weary with toil, I haste me to my bed,
The dear repose for limbs with travel tired;
But then begins a journey in my head,
To work my mind, when body’s work’s expired:
For then my thoughts, from far where I abide,
Intend a zealous pilgrimage to thee,
And keep my drooping eyelids open wide,
Looking on darkness which the blind do see:
Save that my soul’s imaginary sight
Presents thy shadow to my sightless view,
Which, like a jewel hung in ghastly night,
Makes black night beauteous and her old face new.
    Lo! Thus, by day my limbs, by night my mind,
    For thee and for myself no quiet find.

This poem is in the public domain.

How can I then return in happy plight,
That am debarr’d the benefit of rest?
When day’s oppression is not eased by night,
But day by night, and night by day, oppress’d?
And each, though enemies to either’s reign,
Do in consent shake hands to torture me;
The one by toil, the other to complain
How far I toil, still farther off from thee.
I tell the day, to please him thou art bright
And dost him grace when clouds do blot the heaven:
So flatter I the swart-complexion’d night,
When sparkling stars twire not thou gild’st the even
     But day doth daily draw my sorrows longer
     And night doth nightly make grief’s strength seem stronger.

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When in disgrace with fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man's art, and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee—and then my state,
Like to the lark at break of day arising
From sullen earth sings hymns at heaven's gate;
    For thy sweet love remembered such wealth brings,
    That then I scorn to change my state with kings.

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When to the sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time's waste:
Then can I drown an eye, unused to flow,
For precious friends hid in death's dateless night,
And weep afresh love's long since cancelled woe,
And moan the expense of many a vanished sight:
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o'er
The sad account of fore-bemoanèd moan,
Which I new pay as if not paid before.
    But if the while I think on thee, dear friend,
    All losses are restored and sorrows end.

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Thy bosom is endeared with all hearts,
Which I by lacking have supposed dead,
And there reigns love and all love’s loving parts,
And all those friends which I thought buried.
How many a holy and obsequious tear
Hath dear religious love stol’n from mine eye
As interest of the dead, which now appear
But things removed that hidden in thee lie!
Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give;
That due of many now is thine alone:
    Their images I loved I view in thee,
    And thou, all they, has all the all of me.

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If thou survive my well-contended day,
When that churl Death my bones with dust shall cover,
And shalt by fortune once more re-survey
These poor rude lines of thy deceased lover,
Compare them with the bettering of the time,
And though they be outstipp’d by every pen,
Reserve them for my love, not for their rhyme,
Exceeded by the height of happier men.
O, then vouchsafe me but this loving thought:
‘Had my friend’s Muse grown with this growing age,
A dearer birth than this his love had brought,
To march in ranks of better equipage:
    But since he died and poets better prove,
    Theirs for their style I’ll read, his for his love.’

This poem is in the public domain.

Full many a glorious morning have I seen
Flatter the mountain tops with sovereign eye,
Kissing with golden face the meadows green,
Gilding pale streams with heavenly alchemy;
Anon permit the basest clouds to ride
With ugly rack on his celestial face,
And from the forlorn world his visage hide,
Stealing unseen to west with this disgrace:
Even so my sun one early morn did shine,
With all triumphant splendour on my brow;
But out! alack! he was but one hour mine,
The region cloud hath mask’d him from me now.
    Yet him for this my love no whit disdaineth;
    Suns of the world may stain when heaven’s sun staineth.

This poem is in the public domain.

Why didst thou promise such a beauteous day
And make me travel forth without my cloak,
To let base clouds o’ertake me in my way,
Hiding thy bravery in their rotten smoke?
’Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak
That heals the wound and cures not the disgrace:
Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss:
The offender’s sorrow lends by weak relief
To him that bears the strong offence’s cross.
    Ah! but those tears are pearl which thy love sheds,
    And they are rich and ransom all ill deeds.

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No more be grieved at that which thou hast done:
Roses have thorns, and silver fountains mud;
Clouds and eclipses stain both moon and sun,
And loathsome canker lives in sweetest bud.
All men make faults, and even I in this,
Authorizing thy trespass with compare,
Myself corrupting, salving thy amiss,
Excusing thy sins more than thy sins are;
For to thy sensual fault I bring in sense—
Thy adverse party is thy advocate—
And ’gainst myself a lawful plea commence:
Such civil war is in my love and hate
    That I an accessary needs must be
    To that sweet thief which sourly robs from me.

This poem is in the public domain.

Let me confess that we two must be twain.
Although our undivided loves are one:
So shall those blots that do with me remain
Without thy help by me be borne alone.
In our two loves there is but one respect,
Though in our lives a separable spite,
Which though it alter not love’s sole effect,
Yet doth it steal sweet hours from love’s delight.
I may not evermore acknowledge thee,
Lest my bewailed guilt should do thee shame,
Not thou with public kindness honour me,
Unless thou take that honour from thy name:
    But do not so; I love thee in such sort
    As, thou being mine, mine is thy good report.

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As a decrepit father takes delight
To see his active child do deeds of youth,
So I, made lame by fortune’s dearest spite,
Take all my comfort of thy worth and truth.
For whether beauty, birth, or wealth, or wit,
Or any of these all, or all, or more,
Entitled in thy parts do crowned sit,
I make my love engrafted to this store:
So then I am not lame, poor, nor despised,
Whilst that this shadows doth such substance give
That I in thy abundance am sufficed
And by a part of all thy glory live.
    Look, what is best, that best I wish in thee:
    This wish I have; then ten times happy me!

This poem is in the public domain.

How can my Muse want subject to invent,
While thou dost breathe, that pour’st into my verse
Thine own sweet argument, too excellent
For ever vulgar paper to rehearse?
O, give thyself the thanks, if aught in me
Worthy perusal stand against thy sight;
For who’s so dumb that cannot write to thee,
When thou thyself dost give invention light?
Be thou the tenth Muse, then times more in worth
Than those old nine which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to outlive long date.
    If my slight Muse do please these curious days,
    The pain be mine, but thine shall be the praise.

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O, how thy worth with manners may I sing,
When thou art all the better part of me?
What can mine own praise to mine own self bring?
And what is ’t but mine own when I praise thee?
Even for this let us divided live,
And our dear love lose name of single one,
That by this separation I may give
That due to thee which thou deserves alone.
O absence, what a torment wouldst thou prove,
To entertain the time with thoughts of love,
Which time and thoughts so sweetly doth deceive,
    And that thou teachest how to make one twain,
    By praising him here who doth hence remain!

This poem is in the public domain.

Take all my loves, my love, yea, take them all;
What hast thou then more than thou hadst before?
No love, my love, that thou mayst true love call;
All mine was thine before thou hadst this more.
Then if for my love thou my love receivest,
I cannot blame thee for my love thou usest;
But yet be blamed, if thou thyself deceivest
By willful taste of what thyself refusest.
I do forgive thy robbery, gentle thief,
Although thou steal thee all my poverty;
And yet, love knows, it is a greater grief
To bear love’s wrong than hate’s known injury.
    Lascivious grace, in whom all ill well shows,
    Kill me with spites; yet we must not be foes.

This poem is in the public domain.

Those pretty wrongs that liberty commits,
When I am sometime absent from thy heart,
Thy beauty and thy years full well befits,
For still temptation follows where thou art.
Gentle thou art and therefore to be won,
Beauteous thou art, therefore to be assailed;
And when a woman woos, what woman’s son
Will sourly leave her till she have prevailed?
Ay me! but yet thou mightst my seat forbear,
And chide thy beauty and thy straying youth,
Who lead thee in their riot even there
Where thou art forced to break a twofold truth,
    Hers, by thy beauty tempting her to thee,
    Thine, by thy beauty being false to me.

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That thou hast her, it is not all my grief,
And yet it may be said I loved her dearly;
That she hath thee, is of my wailing chief,
A loss in love that ouches me more nearly.
Loving offenders, thus I will excuse ye:
Thou dost hove her, because thou know’st I love her;
And for my sake even so doth she abuse me,
Suffering my friend for my sake to approve her.
If I lose thee, my loss is my love’s gain,
And losing her, my friend hath found that loss;
Both find each other, and I lose both twain,
And both for my sake lay on me this cross:
    But here’s the joy; my friend and I are one;
    Sweet flattery! then she loves but me alone.

This poem is in the public domain.

When most I wink, then do mine eyes best see,
For all the day they view things unrespected;
But when I sleep, in dreams they look on thee,
And darkly bright are bright in dark directed.
Then thou, whose shadow shadows doth make bright,
How would thy shadow’s form form happy show
To the clear day with thy much clearer light,
When to unseeing eyes thy fair imperfect shade shines so!
How would, I say, mine eyes be blessed made
By looking on thee in the living day,
When in dead night thy fair imperfect shade
Through heavy sleep on sightless eyes doth stay!
    All days are nights to see till I see thee,
    And nights bright days when dreams do show thee me.

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If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then despite of space I would be brought,
From limits far remote, where thou dost stay.
No matter then although my foot did stand
Upon the furthest earth removed from thee;
For nimble thought can jump both sea and land
As soon as think the place where he would be.
But, ah! thought kills me that I am not thought,
To leap large lengths of miles when thou art gone,
But that so much of earth and water wrought
I must attend time’s leisure with my moan,
    Receiving nought by elements so slow
    But heavy tears, badges of either’s woe.

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The other two, slight air and purging fire,
Are both with thee, wherever I abide;
The first my thought, the other my desire,
These present-absent with swift motion slide.
For when these quicker elements are gone
In tender embassy of love to thee,
My life, being made of four, with two alone
Sinks down to death, oppress’d with melancholy;
Until life’s composition be recurred
By those swift messengers return’d from thee,
Who even but now come back again, assured
Of thy fair health, recounting it to me:
    This told, I joy; but then no longer glad,
    I send them back again and straight grow sad.

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Mine eye and heart are at a mortal war
How to divide the conquest of thy sight;
Mine eye my heart thy picture’s sight would bar,
My heart mine eye the freedom of that right.
My heart doth plead that thou in him dost lie,—
A closet never pierced with crystal eyes—
But the defendant doth that plea deny
And says in him thy fair appearance lies.
To ’cide this title is impaneled
A quest of thoughts, all tenants to the heart,
And by their verdict is determined
The clear eye’s moiety and the dear heart’s part:
    As thus; mine eye’s due is thy outward part,
    And my heart’s right thy inward love of heart.

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Betwixt mine eye and heart a league is took,
And each doth good turns now unto the other:
When that mine eye is famish’d for a look,
Or heart in love with sighs himself doth smother,
With my love’s picture then my eye doth feast
And to the painted banquet bids my heart;
Another time mine eye is my heart’s guest
And in his thoughts of love doth share a part:
So, either by thy picture or my love,
Thyself away art present still with me;
For thou not farther than my thoughts canst move,
And I am still with them and they with thee;
    Or, if they sleep, they picture in my sight
    Awakes my heart to heart’s and eye’s delight.

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How careful was I, when I took my way,
Each trifle under truest bars to thrust,
That to my use it might unused stay
From hands of falsehood, in sure wards of trust!
But thou, to whom my jewels trifles are,
Most worthy comfort, now my greatest grief,
Thou, best of dearest and mine only care,
Art left the prey of every vulgar thief.
Thee have I not lock’d up in any chest,
Save where thou art not, though I feel thou art,
Within the gentle closure of my breast,
From whence at pleasure thou mayst come and part;
    And even thence thou wilt be stol’n, I fear,
    For truth proves thievish for a prize so dear.

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Against that time, if ever that time come,
When I shall see thee frown on my defects,
When as thy love hath cast his utmost sum,
Call’d to that audit by advised respects;
Against that time when thou shalt strangely pass
And scarcely greet me with that sun, thine eye,
When love, converted from the thing it was,
Shall reasons find of settled gravity,—
Against that time do I ensconce me here
Within the knowledge of mine own desert,
And this my hand against myself uprear,
To guard the lawful reasons on thy part:
    To leave poor me thou hast the strength of laws,
    Since why to love I can allege no cause.

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How heavy do I journey on the way,
When what I seek, my weary travel’s end,
Doth teach that ease and that repose to say
‘Thus far the miles are measured from thy friend!’
The beast that bears me, tired with my woe,
Plods dully on, to bear that weight in me,
As if by some instinct the wretch did know
His rider loved not speed, being made from thee:
The bloody spur cannot provoke him on
That sometimes anger thrusts into his hide;
Which heavily he answers with a groan,
More sharp to me than spurring to his ide;
    For that same groan doth put this in my mind;
    My grief lies onward and my joy behind.

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Thus can my love excuse the slow offence
Of my dull bearer when from thee I speed:
From where thou art why should I haste me thence?
Till I return, of posting is no need.
O, what excuse will my poor beast then find,
When swift extremity can seem but slow?
Then should I spur, though mounted on the wind;
In winged speed no motion shall I know;
Then can no horse with my desire keep pace;
Therefore desire, of perfect’st love being made.
Shall neigh—no dull flesh—in his fiery race;
But love, for love, this shall excuse my jade;
     Since from thee going he went willful-slow,
     Towards thee I’ll run, and give him leave to go.

This poem is in the public domain.

So am I as the rich, whose blessed key
Can bring him to his sweet up-locked treasure,
The which he will not every hour survey,
For blunting the fine point of seldom pleasure.
Therefore are feasts so solemn and so rare,
Since, seldom coming, in the long year set,
Like stones of worth they thinly placed are,
Or captain jewels in the carcanet.
So is the time that keeps you as my chest,
Or as the wardrobe which the robe doth hide,
To make some special instant special blest,
By new unfolding his imprison’d pride.
    Blessed are you, whose worthiness gives scope,
    Being had, to triumph, being lack’d, to hope.

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What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen’s cheek all art of beauty set,
And you in Grecian tires are painted new:
Speak of the spring and foison of the year;
The one doth shadows of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.
    In all external grace you have some part,
    But you like none, none you, for constant heart.

This poem is in the public domain.

O, how much more doth beauty beauteous seem
By that sweet ornament which truth doth give!
The rose looks fair, but fairer we it deem
For that sweet odour which doth in it live.
The canker-blooms have full as deep a dye
As the perfumed tincture of the roses,
Hand on such thorns and play as wantonly
When summer’s breath their masked buds discloses:
But, for their virtue only is their show,
They live unwoo’d and unrespected fade,
Die to themselves. Sweet roses do not so;
Of their sweet deaths are sweetest odours made:
    And so of you, beauteous and lovely youth,
    When that shall fade, my verse distills your truth.

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Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war's quick fire shall burn
The living record of your memory.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room,
Even in the eyes of all posterity
That wear this world out to the ending doom.
    So, till the judgment that yourself arise,
    You live in this, and dwell in lovers' eyes.

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Sweet love, renew thy force; be it not said
Thy edge should blunter be than appetite,
Which but to-day by feeding is allay’d,
To-morrow sharpen’d in his former might:
So, love, be thou; although to-day thou fill
Thy hungry eyes even till they wink with fullness,
To-morrow see again, and do not kill
The spirit of love with a perpetual dullness.
Let this sad interim like the ocean be
Which parts the shore, where two contracted new
Come daily to the banks, that, when they see
Return of love, more blest may be the view;
    Else call it winter, which being full of care
    Makes summer’s welcome thrice more wish’d, more rare.

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Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do, till you require.
Nor dare I chide the world-without-end hour
Whilsts I, my sovereign, watch the clock for you,
Not think the bitterness of absence sour
When you have bid your servant once adieu;
Not dare I question with my jealous thought
Where you may be, or your affairs suppose,
But, like a sad slave, stay and think of nought
Save, where you are how happy you make those.
    So true a fool is love that in your will,
    Though you do any thing, he thinks no ill.

This poem is in the public domain.

That god forbid that made me first your slave,
I should in thought control your times of pleasure,
Or at your hand the account of hours to crave,
Being your vassal, bound to stay your leisure!
O, let me suffer, being at your beck,
The imprison’d absence of your liberty;
And patience, tame to sufferance, bide each check,
Without accusing you of injury.
Be where you list, your charter is so strong
That you yourself may privilege your time
To what you will; to you it doth belong
Yourself to pardon of self-doing crime.
    I am to wait, though waiting so be hell’
    Not blame your pleasure, be it ill or well.

This poem is in the public domain.

If there be nothing new, but that which is
Hath been before, how are our brains beguiled,
Which, laboring for invention, bear amiss
The second burthen of a former child!
O, that record could with a backward look,
Even of five hundred courses of the sun,
Show me your image in some antique book,
Since mind at first in character was done!
That I might see what the old world could say
To this composed wonder of your frame;
Whether we are mended, or whether better they,
Or whether revolution be the same.
    O, sure I am, the wits of former days
    To subjects worse have given admiring praise.

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Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light,
Crawls to maturity, wherewith being crown’d,
Crooked eclipses ‘gainst his glory fight,
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth
And delves the parallels in beauty’s brow,
Feeds on the rarities of nature’s truth,
And nothing stands but for his scythe to mow:
    And yet to times in hope, my verse shall stand,
    Praising thy worth, despite his cruel hand.

This poem is in the public domain.

Is it thy will thy image should keep open
My heavy eyelids to the weary night?
Dost thou desire my slumber should be broken,
While shadows like to thee do mock my sight?
Is it thy spirit that thou send’st from thee
So far from home into my deeds to pry,
To find out shames and idle hours in me,
The scope and tenour of thy jealous?
O, no! thy love, though much, is not so great:
It is my love that keeps mine eye awake;
Mine own true love that doth my rest defeat,
To play the watchman ever for thy sake:
    For thee watch I whilst thou dost wake elsewhere,
    From my far off, which others all too near.

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Sin of self-love possesseth all mine eye
And all my soul and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine,
No shape so true, no truth of such account;
And for myself mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me myself indeed,
Beated and chopp’d with tann’d antiquity,
Mine own self-love quite contrary I read;
Self so self-loving quite contrary I read;
Self so self-loving were iniquity.
    ’Tis thee, myself, that for myself I praise,
    Painting my age with beauty of thy days.

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Against my love shall be, as I am now,
With Time’s injurious hand crush’d and o’er-worn;
When hours have drain’d his blood and fill’d his brow
With lines and wrinkles; when his youthful morn
Hath travell’d on to age’s steepy night,
And all those beauties whereof now he’s king
Are vanishing or vanish’d out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age’s cruel knife,
That he shall never cut from memory
My sweet love’s beauty, though my lover’s life:
    His beauty shall in these black lines be seen,
    And they shall live, and he in them still green.

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When I have seen by Time’s fell hand defaced
The rich proud cost of outworn buried age;
When sometime lofty towers I see down-razed
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay;
Ruin hath taught me thus to ruminate,
That Time will come and take my love away.
    This thought is as a death, which cannot choose
    But weep to have that which it fears to lose.

This poem is in the public domain.

Since brass, nor stone, nor earth, nor boundless sea
But sad mortality o'er-sways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O, how shall summer's honey breath hold out
Against the wreckful siege of battering days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but time decays?
O fearful meditation! where, alack,
Shall time's best jewel from time's chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?
    O, none, unless this miracle have might,
    That in black ink my love may still shine bright.

This poem is in the public domain.

Tired with all these, for restful death I cry,
As to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplac'd,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgrac'd,
And strength by limping sway disabled
And art made tongue-tied by authority,
And folly—doctor-like—controlling skill,
And simple truth miscall'd simplicity,
And captive good attending captain ill:
    Tir'd with all these, from these would I be gone,
    Save that, to die, I leave my love alone.

This poem is in the public domain.

Ah! wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve
And lace itself with his society?
Why should false painting imitate his cheek
And steel dead seeing of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggar’d of blood to blush through lively veins?
For she hath no exchequer now but his,
And, proud of many, lives upon his gains.
    O, him she stores, to show what wealth she dad
    In days long since, before these last so bad.

This poem is in the public domain.

This is his cheek the map of days outworn,
When beauty lived and died as flowers do now,
Before these bastard signs of fair were born,
Or durst inhabit on a living brow;
Before the golden tresses of the dead,
The right of sepulchers, were shorn away,
To live a second life on second head;
Ere beauty’s dead fleece made another gay:
In him those holy antique hours are seen,
Without all ornament, itself and true,
Making no summer of another’s green,
Robbing no old to dress his beauty new;
    And him as for a map doth Nature store,
    To show false Art what beauty was of yore.

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Those parts of thee that the world’s eye doth view
Want nothing that the thought of hearts can mend;
All tongues, the voice of souls, give thee that due,
Uttering bare truth, even so as foes commend.
Thy outward thus with outward praise is crown’d;
But those same tongues that give thee so thine own
In other accents do this praise confound
By seeing farther than the eye hath shown.
They look into the beauty of thy mind,
And that, in guess, they measure by thy deeds;
Then, churls, their thoughts, although their eyes were kind,
To thy fair flower add the rank smell of weeds:
    But why thy odour matcheth not thy show,
    The solve is this, that thou dost common grow.

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That thou art blamed shall not be thy defect,
For slander’s mark was ever yet the fair;
The ornament of beauty is suspect,
A crow that flies in heaven’s sweetest air.
So thou be good, slander doth but approve
Thy worth the greater, being woo’d of time;
For canker vice the sweetest buds doth love,
And hour present’st a pure unstained prime.
Thou hast pass’d by the ambush of young days,
Either not assail’d or victor being charged;
Yet this thy praise cannot be so thy praise,
To tie up envy evermore enlarged:
    If some suspect of ill mask’d not thy show,
    Then thou alone kingdoms of hearts shouldst owe.

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No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Given warning to the world that I am fled
From this vile world, with vilest worms to dwell:
Nay, if you read this line, remember not
The hand that writ it; for I love you so
That I in you sweetest thoughts would be forgot
If thinking on me then should make you woe.
O, if I say, you look upon this verse
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay,
    Lest the wise world should look into your moan
    And mock you with me after I am gone.

This poem is in the public domain.

O, lest the world should task you to recite
What merit lived in me, that you should love
After my death, dear love, forget me quite,
For you in me can nothing worthy prove;
Unless you would devise some virtuous lie,
To do more for me than mine own desert,
And hang more praise upon deceased I
That niggard truth love may seem false in this,
That you for love speak well of me untrue,
My name be buried where my body is,
And live no more to shame nor me nor you.
    For I am shamed by that which I bring forth,
    And so should you, to love things nothing worth.

This poem is in the public domain.

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
In me thou see'st the twilight of such day
As after sunset fadeth in the west;
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire,
That on the ashes of his youth doth lie,
As the deathbed whereon it must expire,
Consumed with that which it was nourished by.
    This thou perceiv'st, which makes thy love more strong,
    To love that well which thou must leave ere long.

This poem is in the public domain.

But be contented: when that fell arrest
Without all bail shall carry me away,
My life hath in this line some interest,
Which for memorial still with thee shall stay.
When thou reviewest this, thou dost review
The very part was consecrate to thee:
The earth can have but earth, which is his due;
My spirit is thine, the better part of me:
So then thou has but lost the dregs of life,
The prey of worms, my body being dead,
The coward conquest of a wretch’s knife,
Too base of thee to be remembered.
    The worth of that is that which it contains,
    And that is this, and this with thee remains.

This poem is in the public domain.

So are you to my thoughts as food to life,
Or as sweet-seasoned showers are to the ground;
And for the peace of you I hold such strife
As ’twixt a miser and his wealth is found;
Now proud as an enjoyer and anon
Doubting the filching age will steal his treasure,
Now counting best to be with you alone,
Then better’d that the world may see my pleasure;
Sometime all full with feasting on your sight
And by and by clean starved for a look;
Possessing or pursuing no delight,
Save what is had or must from you be took.
    Thus do I pine and surfeit day by day,
    Or gluttoning on all, or all away.

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Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
    For as the sun is daily new and old,
    So is my love still telling what is told.

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Thy glass will show thee how thy beauties wear,
Thy dial how thy precious minutes waste:
The vacant leaves thy mind’s imprint will bear,
And of this book this learning mayst thou taste.
The wrinkles which thy glass will truly show
Of mouthed graves will give thee memory;
Thou by thy dial’s shady stealth mayst know
Time’s thievish progress to eternity.
Look, what thy memory can not contain
Commit to these waste blanks, and thou shalt find
Those children nursed, deliver’d from thy brain,
To take a new acquaintance of thy mind.
    These offices, so oft as thou wilt look,
    Shall profit thee and much enrich thy book.

This poem is in the public domain.